The Key to Better Websites

The Key to Better Websites

Introduction

Importance of the latter :

One of the primary implications of a well-organized / good website, is to keep your visitors in the website. A website is definitely created for a purpose, unless intended for personal use, which is the minority. For example, a portfolio website would want to be visited and it's content viewed. For companies and internet businesses, your website certainly aims to provide product information, to make sales, or somewhat similar. However, most individuals undoubtly prefer visually captivating designs, so on and so forth. It is undeniable that this causes no harm, but one must put himself/herself in other people's shoes, as to understand how a visitor to the website might think, do and react.

1 )  Navigation

As I said, a web designer has to learn how to think the way your visitors think.

Situation A : Website with good navigation ( 2-3 hyperlinks to target page ), well planned  in terms of placement, and design.

Situation B : Website with poor navigation ( takes forever for the visitor to reach his/her target page ), hard-to-read navigation fonts and poor placement of the navigation buttons/bar.

In Situation A, a visitor will always want to be able to access his/her target page. For example, the individual comes across your website, and is interested in the product sold, but wants to find more information. He/she finds the navigation with no trouble, and enters the particular product information page.

As for Situation B, a visitor stumbles into the website, and would also like to find out more information about the product. Unfortunately, due to bad placement and fanciful font-types, the visitor takes forever, or even fails to find the navigation bar. Even when he/she does so, links to the product information are nowhere to be found, (example : home > about > products > product image > etc…[a few more clicks] > product information ).

Analysis : In both situations, wouldn't a website with characteristics similar to the Situation A be more rewarding ergo better?

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Jeyasithar R
(www.CO5.in)

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Should I Create a Website? Do I Need One?

Should I Create a Website? Do I Need One?

People always want to follow the latest thing, be it in fashion, sports, that kind of thing. Websites have become a necessity to almost everyone. Companies, businesses, individuals, even young adults have created personal websites with their respective purposes, be it for profit, or for entertainment.

What one must consider, however, before creating a website, are the factors in which must be put to thought before doing so, such as the cost, maintenance, use, web host and so forth.

Firstly, associating with the cost, we must always try to find an affordable host, not spending too much, nor too little. A cheap host does not exactly symbolize a credible reliability rating, but we must always look for value for money deals. Also, regarding the efficiency and server/web host reliability, there are many cases of web hosts not providing the service they had assured other people, some had even shut down and were nowhere to be seen. Keep this note in mind, as if you would like a long-lasting website, this would be the first thing to look for.

Next, would hiring a professional be affordable? Is it the best option? For simple websites, we could always pick up the coding, or even use programs, as it is relatively simple. However, when it comes to more complex coding, and when you want it to do a tad more than just providing information, hiring help in doing so would be the best way. Not only in terms of design, but security is also a key factor in assuring a quality website. If the website also acts as a portal for businesses, security would definitely be the issue here.

So, having considered the things to do before building a website, do we actually NEED one? If creating one would boost sales or promote positive implications to oneself, then by all means, go ahead and do what's best. Yet again, planning is the key to success, in everything we do.

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Jeyasithar R
(www.CO5.in)

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Magizhchi Movie Review

Neela Padmanabhan's 'Thalaimuraigal' is considered as one of the top ten novels in Tamil modern literature by critics for it throws light on human relationships in an interesting manner with gripping sequence of events.

Director Gowthaman deserves pat for ensuring that the charm of the novel is not spoilt when he made it as a movie in 'Magizhchi'. Quite appropriate to the title, the movie movies at a pace that is engrossing and stresses the need to respect relationships. More than dwelling on the story, the film aims at chronicling the lives of few characters that we see in our daily life. Set in Iraniyal village, the movie revolves around Chettiyar community.

Describing the flashback through paintings in the beginning itself, the director promises that it would not be a routine affair. There are no cinematic clichés be it the way the hero or the heroine is introduced. Gowthaman ensures that all is at ease.

The movie revolves around Thiravi (Gowthaman) for whom his sister (Karthika) is everything. He lives a contended life with his parents, grand mother and sister. He also gets the job of government teacher in his village.

And Thiravi has a love affair too, with Kuzhali (Anjali). When everything goes well, trouble breaks out in the form of Sevatha Perumal (Sampath Raj). Belonging to the same caste, he marries Thiravi's sister. But within few months of his wedding, he sends her back to Thiravi's house alleging that she cannot mother a child.

The incident results in major repercussions in Thiravi's house and the impact is so much that Kuzhali is forced to marry an outsider by her parents. Thiravi's efforts to strike peace in his sister's family end in vain. When he feels everything has slipped from his hands, his friend (Seeman) comes to his rescue.

As the movie progresses, one gets the feel of browsing through pages of a novel. The sequences are narrated in an interesting manner by the director. He also burdens the responsibility of playing the lead role. At places he reminds actor-director Cheran.

Anjali combines glamour and performance. She is impressive as Kuzhali. Karthika as sister is dignified and diligent. Sampath Raj plays a baddie, but with no cinematic clichés. Prakashraj, Ganja Karuppu and Sukumari fit the roles well.

The highlight of the film is Vidyasagar's music. Earthy and rustic, the songs are a blend of melody and racy beats. On the flip side, the movie goes melodramatic at many places. The scenes are lengthy needing an urgent trimming.

On the whole 'Magizhchi' is a bold attempt by Gowthaman and would set a fresh trend for movie genres to follow.

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Jeyasithar R
(www.CO5.in)

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Mandhira Punnahai Movie Review

Director Karu Palaniappan is known for coming out with movies woven around human relationships. Obviously in 'Mandhira Punnahai', which is directed and enacted by him, he dwells on his favourite subject. Unfortunately, perhaps shouldering a double burden has taken a toll on the film.

The latest to join the bandwagon of filmmakers donning the grease paint, Karu Palaniappan has chosen a script that doesn't demand macho-man stuff or any heroics, a safe bet for his first venture as protagonist.

He has Meenakshi, who did some glamour roles recently, to play the female lead. Santhanam provides the comic relief, while Thambi Ramiah and Rishi do form part of the cast. But all these things, which put together as a film, fail to do any magic.

Though Karu has relied upon the script, yet the pace at which the movie progresses is its weak link. The story settles down only after a while and the dragging second half does no good.

Kadir (Karu Palaniappan) is a shrewd architect. But he has no principles in life and leads it in his own way. Hated by one and all for his way of living life how it should not be, everyone fears to come close to him.

Enters Nandhini (Meenakshi) who works in a car showroom. Kadir does the architectural plan for the showroom and both meet in the process. Impressed by Kadir, she falls for him. Kadir sees his mother's mannerisms in her in certain situations and love blossoms.

But a twist and turn in the script takes the story to a new place. What transpired between the two is the climax.

Karu Palaniappan has tried his best to live up to the role. Unfortunately he misses out on his body language. The much needed pep is missing in his role. It is refreshing to see Meenakshi donning a different character. She has a major say in the script, which she seems to have utilised well. Santhanam's comedy sounds clichéd at many places.

Vidyasagar's music and Baskar Sakthi's dialogues are the USPs of the film. Both are good but a weak execution takes away the sheen. Ramnath Shetty camera captures Chennai well.

Too many loose-ends and a dragging second add no value to the movie. Produced by Indira Films, 'Mandhira Punnahai' is a movie which carried a lot of hype and expectations but fizzles out to be an ordinary fare.

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Jeyasithar R
(www.CO5.in)

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Nagaram Movie Review

Sundar C seems to have started from where he left in 'Thalainagaram'. Quite like his maiden heroic venture, 'Nagaram' too is a story of a convict, who wants to live a reformed life, but forced to go back to his old ways.

Movies directed by Sundar C always had good mix of all commercial ingredients. So is 'Nagaram' with comedy, romance and action. Though it is more similar to 'Thalainagaram', the scene is set in a different place here.

Sundar, who has directed the film besides playing the lead role, has captured the functioning of underworld operating in Chennai, mafia that controls harbour and fishing hamlets, in a vivid way. He has handled a huge star cast and the film moves at a fairly interesting pace.

Gate Selvam (Sundar C) is stabbed and is struggling for life. In the hospital bleeding profusely he recalls his past. He is convicted for a crime and is sentenced to five years imprisonment.

A senior police officer Sakkarai Pandi (Bose Venkat), who is also Selvam's childhood friend, helps him come out of the prison. The jail life brings a change in his life and Selvam decides to earn in right way and lead a peaceful life.

But the society is not willing to allow him to do so. Specially his friend Sakkarai Pandi in the pretext of friendship uses him for all his unlawful activities. Selvam comes across Bharathy (Anuya), a junior film artiste. Coming to know about her life and her courteous nature, Selvam falls for her.

Meanwhile, Sakkarai Pandi incurs the wrath of Kadhar Bhai (Sreenivasan) for trying to take away huge haul of ganja from him. It's now cat and mouse game between Sakkarai Pandi and the gang.

Selvam goes hammer and tong to help save his friend. But when he comes to know the true nature of his friend, all things go awry. What happens in Selvam's life after that forms the climax.

Sundar C plays the role with consummate ease. He is good at romance and action sequences. Anuya is tailor-made for the character. Sreenivasan revels as baddie, while Bose Venkat does his part well.

Vadivelu as Style Pandi, in a separate comedy track, evokes laughter. George, Vichu, Ponnambalam, Besant Ravi and Nalini also form part of the cast. Music by Thaman is foot-tapping. But the loud re-recording could have been avoided. Thalapathy Dinesh's stunts deserve special mention.

Produced by Kushboo Sundar, 'Nagaram' is bit lengthy in the second half. It's a new wine in an old bottle. But the taste is good, however.

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Jeyasithar R
(www.CO5.in)

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Vallakottai Movie Review

A rehash of Arjun's and A Venkatesh's past films is 'Vallakottai' to you. Hardly one could see a new attempt in this movie, which is a masala mix loaded with stunts, songs, sentiments and humour (?) in an overdose.

Even the getups Arjun don in the film are inspired by 'Nayagan' Kamal Haasan, 'Krissh' Hrrithik Roshan and 'Pirates of the Carribean' Johnny Depp. But still you can enjoy 'Vallakottai' if you are ready to least mind about logic and game for a commercial cocktail.

Vayuputhran aka Muthu (Arjun) comes out of the prison with a promise to his jailmate Bala (Prem) that he would take care of his ailing brother Sathish, who is about to undergo a surgery.

After visiting Sathish in the hospital, Muthu goes to Vallakottai (from where he gets an assignment) to earn money. His job is to surrender for the murder of Eswarapandian (Suresh), the jameen of Vallakottai, which is to be committed by Eswarapandian's archrivals Nachiyar (Ashish Vidyarthi) and his brother Sethupathi (Vincent Asokan).

At Vallakottai, Muthu meets Anjali (Haripriya) and Veera Sangili (Ganja Karuppu). As scenes unfold, he falls for Anjali and also comes to know that Eswarapandian is harmless and Nachiyar is the one who is to be punished.

Even as acting as a servant of Nachiyar, Muthu wears different getups in the name of Vayuputhran and teaches a lesson or two to the baddies. In the meantime, Bala gets released from prison and what follows is a twist.

Arjun proves that he is 'action king'. His fit body and the stunts he do with the help of it are awesome. But all goes waste in a script is that is so weak. Haripriya is beautiful while 'comedy attempts' by Ganja Karuppu and Sathyan (as Giri, a friend of Muthu) go haywire.

Ashish Vidyarthi shouts well. But the credits go to the dubbing artiste. Vincent Asokan has little scope to perform. There are Vennira Aadai Murthy (as jailor Terror Thennarasu) and Livingston (as an advocate, who is the brother-in-law of the villain) in minuscule roles.

There is nothing much to say about music (by Dhina), cinematography and editing as everything when put together make one squirm on seat.

To sum it up, Vallakottai starts on a brisk note, loses fizzle as it progresses and ends as damp squib.

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Jeyasithar R
(www.CO5.in)

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Mynaa Movie Review

Love stories never failed to capture the admiration of the masses. The romance, the travails and the struggles of the lover couple have always won the nod of the film-buffs. And it is doubly so when the story has close resemblance to reality.

Director Prabhu Solomon, who made films like 'King', 'Kokki' and 'Lee', has rendered a touchy tale of romance in 'Mynaa', which is earthy and emotional from the word go. When hero-centric films are holding sway in Tamil cinema, the filmmaker deserves guts to churn out a movie that is centered on a girl.

As the promos suggest, 'Mynaa' speaks loud about the journey of love. Set in a village on the high altitudes of Tamil Nadu-Kerala border, the film throws light on the innocence, trust and the lifestyle of people in the rustic lands.

Prabhu Solomon in the company of cinematographer Sukumar has presented a treat to the eyes. Though he has a host of lesser known star cast, the artistes get under the skin of their respective roles, giving it an authentic feel.

Vidharth, who made his debut in 'Thottupaar', plays the male protagonist while Amala of 'Sindhu Samavali' fame dons the role of his lover girl. But for Thambi Ramiah, almost the entire cast is fresh and gives the movie a new look. And the script too is equally racy and taut.

The movie begins with Suruli (Vidharth), lodged in a sub jail in Theni, recalling his past life. His father is a callous person and he had lost his mother at his birth. He drops out of the school and earns his livelihood working as a cleaner for a vehicle.

He takes pity on a young mother and her daughter Mynaa, who are forced to come to street due to poverty. Suruli helps them take refuge in a house in his village. Slowly, he gets acquainted with Mynaa (Amala).

He even helps her join a school and pursue her education. As years roll by, they grow young adults and get fascinated for each other. However, coming to know of their affair, Mynaa's brother plans her wedding with a rich man in the neighbouring village. Suruli picks up an argument with Mynaa's brother and assaults him.

For this 'crime', Suruli is lodged in the prison. A day before his 15-day remand comes to close, he decides to escape from the jail. This sends shockwaves among authorities and the onus now falls on Bhaskar (Sethu), the warden and his associate Ramaiah (Thambi Ramiah) to nab him.

They set out to Kurangani village in search of him. At the village, Suruli manages to halt the wedding of Myna and flees from the place. But fate lands him in Bhaskar's hands. Now they begin their journey from the village to Theni. They face many challenges and difficulties on their way back.

Slowly the bad image of Suruli in the minds of Bhaskar and Ramaiah is erased and they admire him. When everything seems to go well and the policemen plan to help them get married, a twist comes in Mynaa's life in the form of Bhaskar's wife and her brothers. The rest is a rivetting climax which ends on an emotional tone.

Hats-off to Amala. The young actress has played her party exceedingly well. As a love-lorn girl, she shows right emotions. Also in the latter part when she runs around for her life and love, she is right there giving her best.

Vidharth as ruffian resembles Karthi in 'Paruthiveeran'. His cool body language and dialogue delivery add strength to the character he has played. Prabhu Solomon seems to have extracted the best from him.

Sethu as Bhaskar is a pleasant surprise. He is tailor-made for the character. A well-built physique comes to his rescue. Thambi Ramaiah plays a complex character, which not just provides laughter but at few places makes on go emotional. The rest of the characters are adequate.

Giving Prabhu Solomon good support are cameraman Sukumar and music composer D Imman. The former has captured the locales in Kurangani village in Kerala border with its pristine glory, while the latter has moved from his typical racy musical stuff to melody. Especially the songs 'Neeyum Nanum…' and 'En Usirae Neethandi…' is apt for the theme of the movie. Also the background score is appropriate.

Due credits should go to Udhayanidhi Styalin. His Red Gaint Movies has already won the reputation of producing quality themes. Quite appropriately, he has presented this movie produced by Shalom Studios in association with AGS Entertainment. For those who are tired of commercial masalas on Tamil cinema 'Mynaa' comes as whiff of fresh air. It's going to be a happy Deepavali for Solomon and his team.

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Jeyasithar R
(www.CO5.in)

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Naane Ennul Illai Movie Review

Veteran actress Jayachitra has taken up the mantle of making a movie that showcases the multiple talents of her son Amaresh Ganesh.

In his debut venture, Amaresh has not just played the lead role but composed music for six songs besides writing lyrics for a couple of numbers. The confident mom has ensured all is centered on Amaresh in a script that has no logic or magic.

While Amaresh plays a youth who strives to make a mark for him in the society, Arya Menon is the heroine and Raghav dons the role of a baddie. Nasser, Saranya, Radha Ravi, Kuyili, Lavanya form part of the cast with guest appearance by directors P Vasu and K S Ravikumar.

Amaresh (Amaresh Ganesh), a student in a Chennai college, loves his classmate Ishwarya (Arya Menon), who's mother (Kuyili) wants her become an actress. There is one Ranjith (Raghav) who has an eye on Ishwarya.

This leads to enmity between Amaresh and him. Amaresh's father Vasu (Nasser) often chides his son for being callous and irresponsible in life. In the meantime, Ishvarya becomes a heroine in Tamil cinema and soon Amaresh too gets a chance from director P Vasu to act as hero in his film.

But Ranjith ensures that his dream is short-lived. However determined to succeed, Amaresh ends up becoming an actor. Soon he wins accolades from all quarters and even a National award for best actor

There are scenes where Chief Minister M Karunanidhi, director K Balachander appear to make some lengthy speeches about Amaresh. Finally, Amaresh teaches Ranjith a lesson and wins the love of his father. He also ends up marrying Ishwarya.

Amaresh reminds one of Silambarasan at many places. Arya Menon is artificial in the role while Raghav is tacky. Nasser, P Vasu and Ravikumar are the ones who lend some solidity. Saranya in mother's role is convincing.

There are enough clichéd sequences that may drive one to boredom. At many places the film proceeds at snail's pace. Adding to the suffering is a lengthy climax. Had more scenes be trimmed and characters tried their best to perform, the movie could have been a different one.

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Jeyasithar R
(www.CO5.in)

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Uthamaputhiran Movie Review

A sparkling entertainer on a festive day. Realising that a feel-good film would create fireworks in the box-office, especially it is released on a day like Deepavali, director Mithran Jawahar and Dhanush have teamed up to present a family entertainer which is pleasant and entertaining.

The duo had created a similar impact in 'Yaradi Nee Mohini before'. Though their chemistry failed to click in the second outing 'Kutti', the director-actor combo seems to have taken off from where they left in 'Yaradi Ne Mohini'.

A cool and a casual Dhanush, Genelia with her girl-next-door-looks, an expressive Vivekh and a bunch of apt star cast make the film a memorable watch.

Though the movie has several sequences that are cliched and too predictable, a creditable show by the characters and presentation makes it engrossing. Dhanush knows the knack of picking right scripts and it is evident from his recent films that are quite different from each other.

Siva (Dhanush) is a happy-go-lucky youngster and he loves all fun under sun. But a noble and a caring soul, he volunteers to help everyone in distress. He is brought up in a large joint family.

A do-gooder, Siva along with his friends kidnaps a bride from a wedding hall. Eventually he realises later that it was the wrong pick. But the girl Pooja (Genelia) is happy being kidnapped as the marriage was being organised against her wish. Shiva is now forced to take care of her untill all issues are sorted out.

Shiva takes Pooja to his family. A small lie and she is there in his house. As it happens, she slowly wins the love and care of everyone there.

There is one emotional Ekambaram (Vivek), an accountant working in the family, who believes that he has special sub-conscious memory power. As it happens, Siva and Pooja fall for each other and all ends well.

Dhanush is impressive. His casual body language and cool dialogue delivery is apt for the role. He seems to share a good rapport with Vivek. They both continue from where they had left in 'Padikathavan'.

The comic timing between the two is terrific and is sure to bring the roof down. Though a family entertainer, the movie has a couple of stunts sequence for Dhanush.

Genelia is tailor-made as Pooja. She is as usual funny, witty and brings innocence to the character. A bubbly Genelia gives her best getting under the skin of the role easily.

Vivek is funny as emotional Ekambaram. He speaks less and makes us laugh more. Bhagyaraj, Ashish Vidyarthi, Jayaprakash Reddy and Mayilsami chip in with their best while the likes of Rajalakshmi, Ambika and Rekha do give a decent performance.

The movie has catchy tunes by Vijay Antony especially the song 'Ussumu Larsay…'. The re-recording is quite apt for the theme. On the whole, 'Uthamaputhiran' is a movie that it entertaining and feel-good from frame one. Though little lengthy, it is a film that's worth a watch this Deepavali.

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Jeyasithar R
(www.CO5.in)

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Va Quarter Cutting Movie Review

Tamil cinema is undergoing a change. Themes that are once considered taboo are taking shape as films and 'Va-Quarter Cutting' by Pushkar-Gayathri duo of 'Oram Po' fame is one such attempt.

A funny take at happenings that take place during one night in Chennai, the movie is about a youngster's search to quench his 'quarter' thirst. Though loaded with funny scenes from the beginning, the movie tests our patience thanks to a confusing script.

Sundararajan aka Sura (Siva) comes to Chennai from Coimbatore on his way to Saudi Arabia. Our hero is received by Marthandam (S P B Charan), a veterinary doctor, who is going to marry his sister soon.

Soon after the travel agent informs Sura that he can not taste liquor or women in Saudi as laws are very tough there, he, along with Marthandam, goes to a wine shop to have the last gulp.

Alas! It's a dry day thanks to elections. Though disappointed, Sura is determined to taste the 'quarter' and starts a journey to various places in Chennai where he was told that liquor would be available.

He goes to a politico who supplies wine for votes, a star hotel, an Anglo Indian group of youngsters, a fish market, a gambling den, a kulfi shop and a brothel house among other places, all in search of 'quarter'.

In his trip, he meets Saraswathi aka Saro (Lekha Washington) who attempts suicide after her parents scold her and King-Prince, a father-son duo (both roles played by John Vijay), who run a gambling centre.

How Siva, in the company of Marthandam and Saro, achieves his mission and leaves for Saudi Arabia is the remaining story, which is stitched with bizarre scenes that are totally new to Tamil cinema.

Siva is as usual cool and tries to do justice to the role. Charan is tailor-made as Marthandam while Lekha Washington is an apt pick to play a school girl who tries hard to pass in twelfth class. It's a double delight for John Vijay in a dual role. Look out for a cameo by Arya.

Music by G V Prakash Kumar is okay. His background score add more bizarreness to the film. On the flip side, the script gives a quirky feel thanks to a loose script and 'comedy scenes' that hardly evoke laughter.

Produced by Y Not Studios and released by Dhayanidhi Alagiri, 'Va-Quarter Cutting' is no doubt a bold attempt by Pushkar and Gayathri. But whether it would work or not is the big question here.

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Jeyasithar R
(www.CO5.in)

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Gouravargal Movie Review

Director Sanjay Ram has made it as his signature style to dwell on the underworld and its dark shades. This time too in 'Gowravargal', he touches a similar theme in the company of Sathyaraj and Vignesh. What begins as an interesting fare slowly loses steam to be a clichéd affair.

Seemingly influenced a lot by 'Nayagan' and 'Thalapathy', Sanjay Ram has woven the story around a do-gooder, a role played by Saythyaraj. As Thondaman, he makes one remember the Velu Bhai of 'Nayagan'.

Vignesh who joins him as his assistant is ready to sacrifice everything for his master, like the evergreen Suriya role played by Rajinikanth in 'Thalapathy'. The movie boasts of a huge star cast that includes Monica, Yuvarani, Azhagan Thamizhmani, Bhanuchander, Ranjith and Alex among others.

Unfortunately there is nothing new in the script which is centered on Vignesh in the first half, while Sathyaraj takes the centre stage in the latter part. Most of the scenes are predictable, clichéd and romance stuffed that fails to strike a chord with the viewer. The baddies in the movie speak from the belly and punctuate their dialogues with a laugh that is tacky and artificial.

Ganesan (Vignesh), is an irresponsible youth in a village. He promises his mother (Kuyili) that he would be good and start earning. He joins a job where he bashes few wrong-doers. This impresses a do-gooder and a don Thondaman (Sathyaraj). He urges him to join him for work.

Thondaman is respected a lot for he provides justice to people in his own way. People in case of crisis approach him and not the police. Ganesan impressed by Thondaman's ways, develops an affinity with him and even decides to gives his life for him.

Meanwhile Ganesan falls in love with one Poonkodi (Monica). Turn of events leaves a local Minister's son going crazy behind her. Enters a police officer (Ranjith) who plays spoilsport in their romance. He threatens Thondaman and hatches a conspiracy to ensure that Thondaman and Ganesan part ways. But things happen otherwise.

It's a role that actors like Vignesh had played many times before. He is good in action, but lacuna is his dialogue delivery. Monica appears in a couple of songs including one hot number. Sathyaraj shoulders a major burden while Ranjith, Bhanuchander play baddies.

Dhina's music is loud and editor Riyaz is apparently caught napping in the second half. Leo's camera is good however. The lens has captured the stunts, chase and the rest in bright colour. On the whole, Sanjay Ram has conceived a convincing script, but seems to have lost out on the execution part.

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Jeyasithar R
(www.CO5.in)

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